Komma
Komma
dir. Martine Doyen
Belgium / France, 2006 - 101
Peter de Wit, 50, wakes up in the middle of the night and realizes with terror that he is in a hospital mortuary. How did he get there? He doesn’t remember and doesn’t want to. Under the identity of the corpse he steals a wallet from, Peter decides to invent a new life for himself. We see his mature figure wandering in the city, slipping - with more or less brio - into the skin of a character he improvises depending on the situation: Lars Erickson, an enigmatic Swedish businessman passing through Brussels. One night, he runs into Lucie, a young and neurotic artist who seems to have lost her memory. Without noticing it, through a communicating vessels effect, Peter’s mythomania fills in Lucie’s amnesia, and Peter gives himself an important part in Lucie’s life.
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